Sadler's Wells, LondonBy making Rodin's drawings and sculptures the starting point of his new work, Russell Maliphant has provided himself with the richest possible choreographic source. Rodin observed the human figure when it was dancing and at rest, erotically relaxed and heroically fraught. His eye for the effects of tension, line and mass was as arresting as his observation of small detail.But his figures are als…
SOURCE: The Guardian at 12:30PM on February 6, 2012