Critics can also be historians. In my opinion, the great new wave of 1990s British theatre starts not with Sarah Kane's Blasted in 1995, nor with Mark Ravenhill's Shopping and Fucking a year later, but with polymath Philip Ridley's amazing debut, The Pitchfork Disney, in 1991. Now, with this long overdue revival, which opened last night, we get another chance to sample this powerful and imaginative drama in all its g…
SOURCE: The Arts Desk at 07:01PM on February 1, 2012