Curve, LeicesterEllen Cairns's design is the real star of this revival of the well-worn but still serviceable stage adaptation of Ken Kesey's 1962 novel. The perspective on the day room in the mental asylum, a high-ceilinged construct of endless glass squares and windows, offers the illusion of space and freedom, but nowhere to run. Even the glass-fronted nurse's station, where the staff often cower as if taking refu…
SOURCE: The Guardian at 01:30PM on October 20, 2011