An American experimental stalwart who went from avant garde work with found objects to finding a visual style for Philip GlassIn shortLook at a portrait of Lucinda Childs's face ("like Catherine Deneuve crossed with Katharine Hepburn" according to the New York Times), and you get a portrait of her choreography: a clear, no-frills beauty; sharp intelligence that's a little unreadable; great underlying structure.Backst…
SOURCE: The Guardian at 10:20AM on October 18, 2011