Sadler's Wells, LondonTwo images keep coming to mind during Emanuel Gat's Brilliant Corners: birds and brains. The group sequences embody them most vividly. In the opening, for example, the 10 dancers flock, scatter and wheel in fits and starts, like a restless flight of birds. Other sections feel like synaptic networks firing fitfully away: sputters of activity spark chain reactions, fleeting formations of sinuous t…
SOURCE: The Guardian at 02:00PM on October 11, 2011