Cambridge JunctionMaresa von Stockert has a choreographic sensibility that's all her own, a mix of intellectual and sensory scrupulousness that makes her work strikingly original. In Masquerade, she tackles the world of dreams " and you can bet that for months in advance she was reading Freud, looking at the paintings of DalÃ, Magritte and De Chirico and watching old expressionist movies.Unusually for Von Stockert…
SOURCE: The Guardian at 01:19PM on February 16, 2011