Finborough, LondonAs a novelist, Graham Greene was prepared to experiment: as a dramatist, he was trapped in the conventions of the well-made West End play. That, at least, is the conclusion I draw from this rare revival of a 1958 work that, like The End of the Affair, deals with the possibility of the miraculous in modern life. But where the novel is an audacious piece of meta-fiction, the play faithfully follo…
SOURCE: The Guardian at 04:30PM on January 7, 2011