Riverside Studios, LondonWho would have thought it? One of the strongest theatrical survivors of the mid-1950s turns out to be this whimsical musical by Julian Slade and Dorothy Reynolds about a magic piano that sets people dancing. And watching this immaculate revival by the small-scale opera company, Tête à Tête, one is forced to ask what the secret is of the show's enduring appeal.Partly it's the melodic …
SOURCE: The Guardian at 04:30PM on January 5, 2011