Barbican, LondonIt's impossible to count the ways in which the music of Bach has been abused in the name of contemporary dance, but few assaults have been as witless as those committed in For the Ones I Love, a new work from Belgian choreographer Thierry Smits.Random chunks from random, badly recorded Bach scores are scattered throughout the work's 60 minutes, spliced together with gritty "sound" interludes of drains…
SOURCE: The Guardian at 05:30PM on November 19, 2010