Romeo Castelucci – primarily renowned for the singularity of his aesthetic vision developed over the last four decades – is not usually described as a political theatre-maker. Even when in 2017 he made Democracy in America, inspired by Alexis de Tocqueville’s 19th century ethnographic study of the same title, Castelucci insisted it was not a political […] The full version of the article “Bérénice” by R…
SOURCE: thetheatretimes.com at 10:06AM on September 4, 2026