Almeida theatre, LondonRebecca Frecknall pulls off this notoriously difficult 1998 play, in which appalling cruelty and violence is balanced against human yearning for love and beautySarah Kane was much berated for the graphic violence in her plays during her lifetime. But critics beware: if you choose to scold playwrights for too much blood-letting and grotesque acts of human cruelty, you would surely have to condem…
SOURCE: The Guardian at 11:00AM on July 30, 2026