In nearly all productions of Brecht’s The Threepenny Opera I had seen up to this one, I was struck by a clash between the expectations that casting and other directorial choices had developed ahead of the productions and foregrounded in the performances, and the text of the play. More specifically, the productions were frequently vehicles […] The full version of the article Harsh And Relentless Social Criticism I…
SOURCE: thetheatretimes.com at 10:51PM on July 13, 2026