Bridge theatre, London Mary-Louise Parker gives a powerhouse performance in a three-part drama that cuts up Aeschylus’s chronology and adds shades of other playsAlthough writer-director Simon Stone has named his play The Oresteia, the credits make clear that this is a drama “after Aeschylus and Others”. The Aeschylus is recognisable here, particularly in the most faithful, and supremely gripping, first of three…
SOURCE: The Guardian at 08:50AM on July 15, 2026