When E.M. Forster’s A Passage to India was published in 1924, it was hailed as a masterful, searing critique of the British Raj and the psychological chasm left by colonialism. Yet, beneath the rigid social protocols and racial tensions of Anglo-Indian society lay a turbulent current of forbidden passion and homoerotic subtext—desires that Forster, a … Continue reading →
SOURCE: Arts Independent at 05:59PM on July 14, 2026