Shakespeare’s Globe, LondonForgoing Brecht’s usual distanciation, Anna Jordan’s new translation and Michelle Terry’s lovable performance bring out the humanity of a woman doing what’s necessary to keep herself and her family aliveThis production of Bertolt Brecht’s masterpiece seems to break the first rule of Brecht’s epic theatre, which requires emotional distance. It conjures Brecht’s upside down wo…
SOURCE: The Guardian at 08:10AM on May 17, 2026