Anna Christie has become a kind of oddball stepchild in the Eugene O'Neill canon, seldom seen in New York City since the memorable 1993 Broadway revival with Natasha Richardson and Liam Neeson. But it's a sturdily constructed if old-fashioned four-act melodrama, and one that ends on a surprising moment of uplift. Thomas Kail's uneven new […]
SOURCE: Culture Sauce at 04:30PM on December 14, 2025