Francis Ford Coppola's long-awaited "Megalopolis" is a beautiful mess. It's a gorgeous-looking film, set in a futuristic version of New York inspired by Old Rome where the rooms are lavish, the light is always uncannily lovely and the actors' faces seem to have an unearthly glow. But underneath all that beauty is an incoherent story, a curiously flat array of performances and a filmmaker who ...
SOURCE: Hartford Courant at 06:00AM on September 27, 2024