Claudia Rankine's 2018 play insists on raising difficult questions Art and race intersect to provocative effect We're in New York City, in an upscale loft apartment, with that absence of stuff that speaks of a power to acquire anything. There are paintings on the walls, but we see only their descriptions: we learn that the owner (curator, in his word) really only sees the descriptions, too, and that the aesthetic…
SOURCE: The Arts Desk at 05:18AM on July 1, 2022