Why do we still remember theater that became history many decades ago? How do we remember plays that disappeared without a trace, physically gone, erased from memory? Wasn't Alexei Granovsky"the founder of the Moscow Yiddish Theater (GOSET) and a character in Roman Freud's new play The Singing Windmills"right when he said, "We're inventing a completely […] The full version of the article Mikhoels by Freud: "The Sin…
SOURCE: thetheatretimes.com at 08:59AM on May 30, 2022