Criticised for moral ambiguity on its premiere, the 1965 drama " about a woman in a masculine world of aggression and pretence " is back to provoke and disturb Call a play a "modern classic" and you give it a veneer of respectability. But, although the term is widely applied to Harold Pinter's The Homecoming, I suspect it has lost none of its power to provoke and disturb. The proof will come when Jamie Glover's reviv…
SOURCE: The Guardian at 03:54PM on March 16, 2022