(Claire Thomas's article appeared in the Guardian, 2/22.) I first saw Samuel Beckett's Happy Days at the Malthouse Theatre in Melbourne in 2009. I remember the barren stage and the entombed woman at its centre, whose utterances filled the theatre and carried the content of the play. Happy Days " which turns 60 this year […]
SOURCE: stagevoices.com at 03:39PM on February 22, 2021