Alla Kovgan's new film Cunningham not only shoots its dancers in three dimensions, but collages historic, two-dimensional black-and-white images in smaller sizes on the screen, often overlaid with print. This practice allows us to choose (or stumble upon) those visions most meaningful to us, or to accept multiplicity and not worry about what we didn't […]
SOURCE: ArtsJournal at 05:36AM on February 26, 2020