(Alexis Soloski's article appeared in the Guardian, 2/27; via the Drudge Report.) Ivo van Hove likes it in America. Broadway rarely warms to avant-garde Belgian directors, but it has embraced this one, first for his blood-drenched A View from the Bridge, then for his unorthodox Crucible, which starred a large dog, and then for his adaptation […]
SOURCE: stagevoices.com at 12:14PM on February 17, 2020