Uh-oh, Ang Lee, what happened to you? "If you're wondering why a filmmaker as good as Ang Lee couldn't, in this case, see the forest for the schlock, the answer may be that Gemini Man, which was shot at 120 frames per second, indicates that he's become an apostle of technology first and a filmmaker […]
SOURCE: ArtsJournal at 08:48AM on October 14, 2019