Wyndham's theatre, London With fart jokes and skiffle songs, this Sean Foley adaptation ditches the innocence of the 1950s capitalist comedy, but has plenty of drive This is Sean Foley's version of a beloved movie that depicted a stagnant Britain in which capital and labour unite to thwart innovation. What was once a deliciously subversive Ealing comedy has, however, now become a riotously busy squealing farce. It's …
SOURCE: The Guardian at 07:03AM on October 9, 2019