"What separates Schjeldahl is the tangible sense in nearly every piece in this book " say 85 of the 100 " that something existential is at stake as he writes. The same sensation is present in Barthes and Sontag, his closest analogues to my mind, writers who, whatever their subject at a given moment, are […]
SOURCE: ArtsJournal at 06:36PM on May 29, 2019