(Michael Billlington's article appeared in the Guardian, 4/12.) Absent from the stage for 12 years, Maggie Smith returns in triumph. But this is no barnstorming performance. She plays, with just the right verbal hesitancy and moral evasiveness, a woman who worked in Joseph Goebbels' ministry of propaganda during the second world war. Based by Christopher Hampton on […]
SOURCE: stagevoices.com at 04:13PM on April 14, 2019