Trafalgar Studios, London When positive discrimination appears to rob a boy of his college place, the racial pieties of America's left are exposed in Joshua Harmon's drama Joshua Harmon has a gift for provocation. The last play of his we saw, Bad Jews, took a swipe at dogmatic certainties. Now he takes aim at the smug pieties of bien-pensant white liberals. His play gains topical edge at a time when wealthy Americans…
SOURCE: The Guardian at 12:22PM on March 13, 2019