TRAPPED IN A DREARY DRAMEDY There's a tender scene at the start of HOMOS, OR EVERYONE IN AMERICA (a perversely paradoxical title) that wants to convince us that Jordan Seavey's lads really are lovers. Brooklyn's streetlights are dark from a power failure, so one guy comforts the other by playing some vinyl Vivaldi and holding him […]
SOURCE: Stage and Cinema at 02:22PM on September 6, 2018