Ivo van Hove certainly divides audiences and critics. Champions love the Belgian director's stylized, ferocious whirling dervish productions. Detractors bristle at all the special effects, gadgets and gizmos. Some gasped at the flying witches in 2016's "The Crucible." Others thought: Why is he getting all Peter Pan-ny on us? But while most of van Hove's...
SOURCE: The New York Post at 08:12PM on January 24, 2019