Sometimes he wrote columns in which all of the proper names had been excised, which rendered them useless as gallery PR; others featured pseudonymous composite characters like "Gaston Porcile Vitrine," an allegory of art-world fickleness who finds himself suddenly, humiliatingly shunned at downtown hangouts after a season or two in the limelight. – The Baffler
SOURCE: ArtsJournal at 09:06AM on January 21, 2019