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A Year After The Emmett Till-Whitney Biennial Furor, Dana Schutz Is Back At Work by Artsjournal1

“Now, Ms. Schutz admits that she is ‘guarded’ about the controversy …, saying only that [painting Open Casket] was an attempt to ‘register this monstrous act and this tragic loss.’ But she acknowledged that may have been an ‘impossible’ task.” Even so, she doesn’t regret having painted the piece or the subsequent conflict: “It’s good […]

SOURCE: ArtsJournal at 04:36PM on January 11, 2019

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