“Heart of Darkness is, to use today's parlance, problematic. … Whether [the novel] is ‘offensive and totally deplorable’, as [Chinua] Achebe insisted, or a searing critique of colonialism trapped in its time, putting it on stage pulls it into the present. Literature might be excused, though not absolved, by context. Theatre isn’t.” Matt Trueman looks […]
SOURCE: ArtsJournal at 03:18PM on December 21, 2018