The play has racked up productions in 30 languages and 45 countries in its 24-year history. “What’s so interesting is that, like certain plays by Pinter, perhaps, the play adapts itself to its actors, so it doesn’t seem to matter if you cast it with men in their 60s or their 30s,” says Christopher Hampton, […]
SOURCE: ArtsJournal at 01:01PM on October 3, 2018