National Theatre, London; Minerva, Chichester A jazzy-poppy hybrid of Orpheus lacks depth, while an adaptation of Jane Austen's unfinished novel is an unpredictable treatHadestown begins promisingly as André De Shields's Hermes saunters on to the stage with the look of a man who knows he can hold the floor and, with a slow flourish, unbuttons his jacket, as though the story itself might be hiding beneath it. Uncover…
SOURCE: The Guardian at 03:42AM on November 18, 2018