Olivier, LondonIfans' performance shows he's ready for the big Shakespeare roles, though Ionesco's absurdist drama is considerably less compellingFor its first foray into the world of Eugène Ionesco, the National has chosen a play about a departure: to be more precise, the death of a king. While Patrick Marber's production of his own version shows there are more laughs than you might expect and gets a compelling per…
SOURCE: The Guardian at 08:36AM on July 26, 2018