Almeida, LondonNatalie Abrahami directs Sophie Treadwell's unforgettable portrait of a young woman suffocating at home and workNow is obviously a good time to revive Sophie Treadwell's 1928 American play about women's historic sense of entrapment. Although I have one reservation about Natalie Abrahami's production, it is admirably faithful to the play's expressionist origins and never allows its astonishing design to…
SOURCE: The Guardian at 09:12AM on June 12, 2018